This post was originally published during Alannah Lynne's Birthday Bash. You can refer to the original page for the comments left by her readers. We thank Alannah for allowing us to share in that amazing day and amazing experience.
If the love scenes you write…
In our interaction with other authors, we have heard them discussing the writing of love scenes and how some think it the hardest part to write. Oddly enough, the love scenes and romance aspects of our stories are the easiest to both of us. We are fairly certain that this comes from our background as role players where we actually wear the skin of the characters we are portraying and play fairly erotic scenes often. In that case, practice makes perfect. The more we played erotic love scenes, the easier it became to write them for the novels and shorts.
One of our mottos states: If the love scenes you write don’t make you squirm in your seat, you are doing it wrong. Rewrite.
Luckily, we have never rewritten a love scene. Again, we definitely feel our background as role players has benefited us in this aspect. When writing we both become the characters and the flow and action comes naturally. In the case of the main characters in Countermeasure and To Russia with Love, we wore their skins for months before formally committing their story to the page. In essence, we are Trevor and Cassandra. We feel their emotions, desires, pain. As a result, when we come to an intimate scene it flows as naturally as their banter. Whatever the setting, whatever the position, it may be just a touch, kiss, a caress, or other delicious…you get the picture, Trevor and Cassandra are in control and we follow their lead.
There are times when we thrive on seeing how much we can make each other squirm and there are times that we have to step away for a breather—more like find a fan—because the intensity of their love can be overwhelming. It’s thrilling to receive comments from readers telling us how those scenes made them feel, how they made them squirm, too.
When writing similar scenes with other characters the same thing happens, however, we have to lock Trevor and Cassandra away to give way to those characters’ voices. Take for example, Stephan and Jessica from To Russia with Love. Their relationship is just as intense, emotional, and loving; however, they are driven by different desires, which are much different from those of the main hero and heroine. Stephan is more domineering and Jessica enjoys the thrill of relinquishing control to him. We plan to continue exploring their story in upcoming Bytes of Life.
All in all, our connection with our characters allows us to write scenes that will let you experience their intimate moments to the fullest. Keep in mind that we do not have barriers when it comes to writing those scenes and as long as you are open to the explicitness of the content, you will definitely get a tingle out of it.
Cheers,
Chris & Cecilia